Three typography artists join forces for a group show highlighting their different uses of negative space
by CH Contributor in Culture on 22 September 2014
by Jorge Grimberg
Currently on view at New York's No Romance Galleries is "Extracts," an exhibition curated by Tim Strazza that features work by three artists on one common theme: the exploration of negative space through paper, words and deconstruction—and the boundaries within. >
Strazza was initially inspired to create the show by artist Greg Lamarche, who is best known for his graffiti-inspired collages that explore the power of lettering and messages on the streets of New York. “Greg is really meticulous about sourcing. The guy is an encyclopedia of old print publications. His studio is just lined wall-to-wall with source material. He is really particular on where his pieces come from," Strazza tells CH. With Lamarche as a jumping-off point, Strazza then saw works by Max Rippon (aka Ripo) and Jurne, finding a two-part connection between the three talented artists—lettering, and their "destructive tendencies." Strazza elaborates, "I think the artists are more in tune with each other in the way they connect with the materials."
Nothing ever stays the same. Everything is going away. But as things fade away, in destruction, new things come to replace them.
Upon entering the gallery space, viewers may feel that "Extracts" is a solo show, as the artists' connection is so strong, but upon a closer look, each artist's distinct style and unique quirks become apparent. While Lamarche creates collages using vintage magazines and newspapers, Rippon’s work focuses on creating and then destroying his own paintings. “It’s about layering and putting down. Erasing things and then trying to find them again. And when it’s all done, cutting it again—destroying everything in a way that I just created," Rippon explains. The text itself has to do with passing of time, change and instability. “Nothing ever stays the same. Everything is going away. But as things fade away, in destruction, new things come to replace them," he concludes.
For Jurne, working meticulously and paying acute attention to detail is almost second nature, thanks to a background in cell biology research. "For me, all of my work is décollages. I am not sourcing materials, I am building. I am sort of doing the opposite. I start with a full sheet of paper and subtract from it. Removing it away until the composition feels better." Each of Jurne’s pieces present a combination of words that express a feeling or attitude that viewers can connect with immediately. “I’ll often be jotting down little phrases about everyday life and how it feels to be an artist. Balancing commercial work, fine arts and different projects, working through different scales. And that is sort of how I came up with the sayings for each piece," he explains. The concept of deconstruction—of words and materials—within each artist's work is a sharp reminder that the negative space, silence and that which isn't seen is oftentimes of equal importance as what fills up those spaces.
"Extracts" is on view now through 4 October 2014 at No Romance Galleries, located at 355 Broadway, New York.
Lead images courtesy of Max Rippon and Greg Lamarche, final image by Jorge Grimberg
A beautiful book of impressively designed retreats that inspire wilderness solitude
by Hans Aschim in Design on 22 September 2014
Since the dawn of civilization, people have sought refuge from it. For many, time in nature can bring clarity and perspective to life, and it's the off-the-beaten-track dwellings that provide this respite from society. With around-the-clock connectivity via smartphones and urbanization at an all-time high, getting away from it all has never been more essential. However finding solace in the wilderness certainly doesn't mean shivering in a dirt-floored hovel. Following the success of their outdoor creativity tome "The Outsiders," Gestalten continues looking to the wild with "Hide and Seek" examining the architecture and design of some of the world's most unique and aesthetically focused hideaways.
Spread out over 256 pages, the book offers a wealth of design inspiration. Many of the homes opt for an urban, minimalist design aesthetic that—when juxtaposed with the ruggedness of the wild surroundings—makes for a stark yet harmonious contrast. Organized by landscape type, the book lends equal weight to mountain huts, wooded hideaways and seaside cabins. Traditional, regional architecture is often blended with modern sensibilities in inventive and unquestionably beautiful ways.
Images by Cool Hunting
A palatable, all-natural, travel-friendly combatant to dehydration
by Hans Aschim in Food + Drink on 22 September 2014
Whether you're flying from New York to Hong Kong, summiting alpine peaks or getting over the flu (or a hangover), dehydration looms. Letting one's fuel gage dip into the red often results in headaches, dizziness and a host of feelings you'll want to avoid—especially if facing a customs officer who is particularly suspicious. Luckily, the team at Boulder, CO's Skratch Labs have created a palatable combatant to dehydration with their Rescue Hydration Mix. Founder Dr Allen Lim started making his own nutritional supplements when he was resident sports scientist and coach for a professional cycling team. Disappointed with all the artificial chemical laden offerings on the market, Lim created a product that's flavored with real fruit and contains no artificial ingredients. The Rescue Hydration Mix calls to mind San Pellegrino Limonata—without the carbonation.
A single serving ($2) mixes with 500ml of water for a light, refreshing solution to dehydration—whatever the reason. Pick up an eight-pack for $15 from Skratch Labs.
Image by Cool Hunting