All obsessions have their own big bangs and appropriately enough, my own compulsive watch collecting began with the Spaceman watches of the '70s. Below is an article I wrote for QP Magazine reminiscing about going back to the future with these Spacemen.
Leaving New York one chilly winter day, late in 1999, I found myself come unstuck in time and arrive in Basel at the dawn of 1972. My time travel led me to a world filled with hundreds of Spacemen, sitting undisturbed in a Basel watch factory with no plans of visiting the moon anytime soon. This grounded crew was actually a secret stash of vintage Spaceman watches I unearthed at a former distributor of the timepieces designed by Andre LeMarquand, an architect from Neuchâtel. The futuristic watches had fallen out of style during the '80s and '90s but I was ready to fly them out of their dark Swiss graveyard and back onto the wrists of space-age sentimentalists like myself.
In the late sixties Claude Lebet, owner of the Bulle based watch brand Catena asked Le Marquand to create a timepiece inspired by man's conquest of the moon and the astronauts who made it there. Mr. Le Marquand provided him with his first wristwatch design called, what else, the "Spaceman."
The Spaceman was unlike anything seen before and Catena introduced the fleet at the Basel Fair of 1972. The large oval case appeared to be docked on your wrist held by a triple-forked Corfam strap by DuPont. The case also had a coned dome crystal half concealed by a colored metal visor that allowed viewing of the dial to only the wearer. All hands and markers were perfectly seventies orange with models in a variety of colors only possible during that special decade.
The watches were powered by automatic and manual winding mechanical ETA movements and were distributed by a variety brands, among them Jules Jurgensen, Fortis, Tressa and Zeno.
My close-encounter with the past was fueled by reading Pieter Doensen's rare book, "Watch: History of the Modern Wrist Watch." This was been my launch pad to the world of vintage-modern watch design and technology and it has been described as the "the first comprehensive study of the collectible modern wrist watch". Flipping through the book, one can feast their eyes on Richard Arbib's Hamilton Electrics of the '50s and '60s, Roger Tallon's LIP Mach 2000s of the seventies and a multitude of other horological advancements over the past fifty years. But it was the futuristic charm of Andre LeMarquand's Spaceman that first abducted my interests.
See more images of the Spaceman at Watchismo.