Cool Hunting
by Warren Rubin

Nearly a year old, Smoked Volume 1 is still a platform for the importance of pipe blowing within the glass blowing industry. Connecting pipe blowers to a broader audience, the book aims to highlight how pipe blowing pushes the boundaries of the art form, testing the medium's limitations whenever possible and placing it as a driving force among glass art and sculpture.

An open invitation to glass pipe blowers around the world, Smoked Volume 1 is a result of their best work, submitted specifically for the book, with the intent not to reveal or sell the work before the book's release.
Published by Grit City Inc., the 160-page full color book has been printed with the highest quality inks and paper, containing over 100 beautiful full-color photographs and interviews with each artist.

Many artists feel a negative sentiment toward the art of pipe blowing, but Smoked Volume 1 reverses that stigma by expressing the creativity and innovation behind the craft. Often glass art was hidden in studios and garages until word traveled to a collector, who absorbed the art into a private collection.

Adding a new element to glass blowing, in the year 2000 artists began to move away from soda-lime glass in favor of borosilicate, which melts at a much higher temperature due to its low thermal expansion coefficient, leading to a reduced risk of breakage and allowing the artists to work on small sections of a large piece without the entire item being heated. "Truly, borosilicate isn't even a revolution; it's a tsunami, and the 30 artists featured in this book aren't riding the wave, they caused the quake," states Henry Grimmett, co-owner of Glass Alchemy, Ltd.
Combined with a wide array of new colors and palates, the glass pipe movement has changed dramatically in ten years time. With so much to the industry, Grit City Inc. is working on making another edition, Smoked Volume 2, which will consist of over 200 pages of beautiful in-depth color photographs.

The book is available for purchase from Grit City Inc. for $25. See more images after the jump.
|
previous entry Maison Martin Margiela Book |
next entry Tracy Glover's Mouth-Blown Glass |
DC-based artist Graham Caldwell transforms glass into sculptures with claws, spikes and other unusual shapes, using the familiar material to conjure disembodied biomorphic shapes. His current solo show "Anatomies" looks at the structural elements of " ribs, teeth, anemones, forests, fungi, fingers, and bodies" to explore "the anatomy of the viewer, the anatomy of glass, and the anatomy of natural things." Anatomies 17 February-31...
Inspired by Harold Edgerton's famous "Milk-Drop Coronet" image Jeff Zimmerman's Soft Explosion collection for Steuben Glass evokes the random beauty of natural phenomena. Zimmerman's coveted sculptures employ the techniques of advanced glassmaking and the defining properties of glass itself to create narratives of the explosive patterns that occur in nature that he calls "soft explosions." The artist's first work in lead crystal, the collection...
by Tisha Leung Tracy Glover's mouth-blown glass works illuminate vivid swirling patterns evocative of Pucci patterns. Working out of an old textile mill in Cranston, Rhode Island, Glover follows typical Venetian glassblowing techniques first learned while studying at the Rhode Island School of Design, crafting her skill into into custom-made lighting, vases, doorknobs and drawer pulls. Glover's ability and utilization of the A Canne (striping)...
by Paolo Ferrarini of Future Concept Lab If Sardinia's beautiful seashores aren't alluring enough, the little town of Tortolì is hosting Alex Pinna's giant sculpture, "Big Pinocchio." At over 50 feet long, the huge iron Pinocchio—painted white and lying on his side—is a new landmark for the Italian town. A permanent addition to the Parco delle Sculture del Museo Su Logu, Pinna's Big Pinocchio is...
With his high-concept mechanics, artist Jonathan Schipper's latest exhibition, "Irreversibility," is just as stunningly clever as the animatronic sculpture we watched him build a few years ago. Held at Brooklyn's Pierogi Gallery, the show is both a spectacle and showcase of recent sculptures and installations by Schipper, including "The Slow Inevitable Death of American Muscle," (pictured above) in which a live, head-on collision takes...
by Kelsey Keith Adam McEwen is irreverent, witty, and whip smart (like any British artist worth his salt) and "Switch and Bait," his latest show with veteran gallerist Nicole Klagsbrun, is no exception. The exhibition, which opened last week in an auxiliary space in New York's Chelsea district, was slyly promoted with a press release detailing the process of machined graphite. "Graphite's specific properties, such...
