Cool Hunting
Prospect.1 is New Orleans' first biennial and the largest-ever international contemporary art show in the United States. Similar in style and scope to Venice, the exhibit consists of site-specific art installations, as well as several galleries in museums and elsewhere in the city devoted to it. As the front page of the event's website proclaims, it's designed to bring media attention and tourist dollars to New Orleans, so book your tickets now to get down there before it closes 18 January 2009.
Why so bold-faced? Think of it as a giant humanitarian effort to get people to visit a fascinating location—it's win-win for New Orleans and for visitors, especially the types who aren't interested in Bourbon street and otherwise would have little reason to explore the beautifully ramshackle neighborhoods in various states of decay and rebuilding.
As Peter Schjeldahl writes in the New Yorker, referring to the successful candor of the organizer's intentions, "featuring few big names and nary a masterpiece, it is my favorite biennial since the nineteen-eighties."
Prospect.1
Through 18 January 2008
Various Locations
New Orleans, LA
tel. +1 504 715 3968
*Most exhibitions closed Monday-Tuesday
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by Michael Tyburski Starting with a converted bakery in St. Roch, one of New Orleans' most neglected neighborhoods, KK Projects reimagines buildings ravaged by time and Katrina as site-specific artworks, one at a time. This video tours several of the sites and checks in with founder Kirsha Kaechele to learn about her experiences integrating art into one of the roughest ghettos of the city and...
This time around we chose to cover the Whitney Biennial with help from the museum's exhibition designer, Mark Steigelman. Last week's video on Olaf Breuning included a glimpse of his Biennial installation at the Park Avenue Armory (an off-site component that's new this year) and this episode is a select survey of the works by the 50-odd artists showing at the Whitney. Mark explains...
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by Ariston Anderson Street artist Banksy makes breaking the rules an artform, but his current exhibit, a legal installation of over 100 pieces at Bristol's City Museum & Art Gallery is surprising even his closest followers. Playing on earlier covert stunts that targeted the Tate and MoMA, in an unusual reversal, this time the institution welcomes the anonymous artist with open arms for his...
