Cool Hunting
Since watching their revelatory performance at the Ghostly International CMJ showcase two weeks ago, the School of Seven Bells have accompanied me every day, lilting my step on morning commutes and late night walks with their dreamy soundscapes and yearning anthems.
A new addition to Ghostly's eclectic roster of artists, the Brooklyn-based School of Seven Bells is comprised of guitarist Benjamin Curtis, formerly of the psych-rock outfit Secret Machines, and the seraphic twins Alejandra and Claudia Deheza, whose soaring harmonies stand out on the Bells' debut album, Alpinisms.

Alpinisms is a particularly apt title for an album whose songs inspire the kind of transcendental feelings one finds atop wind-swept summits. In fact, the album title is a derivation of René Daumal's concept of alpinism, which he defined as "the art of climbing mountains." For the Bells, alpinisms are "mountain-climbing songs," both literally and metaphorically.
From the glitchy tribal beat and choral chant of opening track, "Iamundernodisguise," to the starry sequencing and imploring verse of the closer, "My Cabal," these songs offer a cadence to carry the everyday climber through both peak and valley. A quote from Daumal's "Mount Analogue" might describe the general tone of Alpinisms best: "There is an art to finding your way in the lower regions by the memory of what you have seen when you were higher up. When you can no longer see, you can at least still know..."
By their very optimism, the School of Seven Bells manage to eschew any shoegaze comparisons that might come readily to listeners making hasty judgments. While likenesses to the lush guitar tremors of My Bloody Valentine and the ethereal vocals of The Cocteau Twins' Elizabeth Fraser are notable, the Bells offer something new entirely. They make being a stargazer relevant again, albeit one teetering on a rocky precipice.
We've included a tease of the Ghostly Presents School of Seven Bells video above, along with two songs from Alpinisms after the jump. Buy the album at the Ghostly Store or on iTunes.
Conjurr:
Chain:
|
previous entry Cho-Cho San Restaurant |
next entry The Economist Branded Pizza Boxes |
Influenced by drinks, drugs and gravity, the foursome behind Brit band Wave Machines pump out eclectropop hits packed with psychedelic undertones and catchy beats that make you feel like you're floating on air. But their debut album, Wave If You're Really There, isn't only full of frolicsome tunes. Songs like "Punk Spirit" and "You Say The Stupidest Things" slow it down, showing off their...
Minneapolis is usually know for being cold, but as the music scene there intensifies, it's beginning to be known for stellar indie bands like Solid Gold. We can't stop listening to the cheeky synth-pop trio and their most recent album, "Bodies of Water." The repeat-worthy tracks are sharp but full of smooth, ethereal melodies that float around and consume your head. The name Solid...
Lost At E Minor featured Pivot's Secret Playlist recently and now they have an awesome new album out. With members scattered across the globe (though with roots firmly planted in Sydney), Pivot create lushly ominous electronic music that seeps through your soul, steals your heart and renders you immobile. For a good ten minutes at least, as their latest album O Soundtrack My Heart...
The Invisible are a hotly tipped trio of talented musicians who, after several years of highly acclaimed individual appearances on the U.K. music scene, have now come together as one band to form a unique and inimitable sound. Their pedigree is impeccable, with Dave Okumu featuring in the mighty Matthew Herbert's regular line-up, Leo Taylor currently drumming for Hot Chip and Tom Herbert being...
by Mat Lyon An electronic ensemble from the thriving Oxford music scene, Keyboard Choir could be described as a journey through the history of electronic music. Liberally scattered amongst the fluid electronic soundscapes and massive rib-imploding beats are samples from genres as diverse as contemporary classical composition and hip hop. Their debut album, Mizen Head To Gascanane Sound, boasts expansive electronic sounds that fire...
She may well have the backing of Chan Marshall (aka Cat Power) but Paris-native Anne-Laure can well and truly hold her own when it comes to delivering quality electronic-pop. Her debut EP, produced by Germany's Max Krefeld, is an eclectic mix of '80s beats, synth electronics and haunting, distinctive vocals. A woman of many talents this pint-sized Frenchie had put music on the back...
