Cool Hunting
British contemporary furniture designer Max Lamb brings the essence of the outdoors to American turf with his solo exhibit at the Johnson Trading Gallery in New York City. Sturdy and stalwart, Lamb's work has a primal, natural and organic feel.
Several of his newly commissioned pieces are made with Delaware bluestone, the blue sediment stone used in New York sidewalks which are sourced from the Catskill Delta. He traveled north to collect the stone and by using a combination of hand carving techniques and machine cutting he was able to create this latest collection of chairs, tables, benches and stools. He also incorporates limestone, pewter, bronze, copper and wool felt into the work. The table set appears as a rock garden extracted and sculpted, and benches are chiseled into symmetrical form that emit a sense of permanence and rawness.
Lamb's ascent in the industrial design world has been rapid. He received the 2003 Peter Walker Award for Innovation in Furniture Design and a 2004 Hettich International Design Award. He worked with Tom Dixon and Ou Baholyodhin Studio before launching his own design studio in 2007. Lamb’s past work with limestone and sandstone won praise at Design Miami/Basel where he was awarded the 2008 Designer of the Future Award. Pieces from this accompanying exhibit, "Solids of Revolution," will be shown at the New York gallery space along with a retrospective of his work including large, hand carved Polystyrene Dining Table and eight Poly Chairs, White Bronze Poly Chairs and a Nano-crystalline Copper Stool. Also, an accompanying film series explores his design philosophy and distinct process.
The exhibition will be on view from 8 October through 7 November 2008. More info and images available at Max Lamb and Johnson Trading Gallery.
Additional images after the jump.
Johnson Trading Gallery
490 Greenwich St.
New York, NY 10013 map
tel. +1 212 925 1110
|
previous entry Vienna Design Week 2008: Carpetplots |
next entry Vienna Design Week 2008: Numen Light |
Boasting a lineup of 27 designers working in the disciplines of furniture, lighting, home accessories and jewelry, Join Design Seattle is holding their first annual design review entitled "Ctrl + Alt + Design." The group show brings American designers from around the nation together for the purpose of calling attention to up-and-coming designers. Much like NYC-based American Design Club's recent exhibits, such as "Hue...
by Paolo Ferrarini of Future Concept Lab Currently exhibiting the powerful work of Simon Denny, in the scope of young Italian art galleries, T293 Gallery in Naples, is one of the most promising. Owners and curators Paola Guadagnino and Marco Altavilla constantly search for artists able to convey strong ideas, not just style, which Denny does successfully with his installation "Watching Videos Dry." Dedicated to...
by Kelsey Keith Adam McEwen is irreverent, witty, and whip smart (like any British artist worth his salt) and "Switch and Bait," his latest show with veteran gallerist Nicole Klagsbrun, is no exception. The exhibition, which opened last week in an auxiliary space in New York's Chelsea district, was slyly promoted with a press release detailing the process of machined graphite. "Graphite's specific properties, such...
One of my favorite exhibits currently on view in Chelsea, "New Paintings by Lui Shtini" at Van De Weghe Fine Art serves as yet another reminder that painting, in the right hands, is far from dead. Shtini's paintings bear the precise strokes of an obsessive while his subject matter betrays the predilections of a unsettled mind. Or, perhaps not. The paintings on view, stylistically...
Just in time for the holiday season, R 20th Century Gallery in lower Manhattan has launched their first show geared toward small-scale objects. Perhaps realizing that these tough financial times make the gifting of rare vintage furniture less likely, R will be offering a wide array of objects and accessories for an equally wide variety of pocket books. Prices range anywhere from $15 to $10,000...
In the world of contemporary photography where bigger is often better and color rules, sometimes it’s nice to see work that defies all of these conventions, but still manages to make an impact. The current show on view at Yancey Richardson Gallery by Masao Yamamoto, entitled Kawa–Flow, is a great example of this. In his intentionally stained and worn photographs, Yamamoto explores the notion...
