Cool Hunting
Droog's current exhibit on the Foro Buonoparte as part of Milan's design week, called "A Touch of Green," attempts to address the imperfections and issues of sustainability with products that hint at eco-consciousness, while making no pretenses about resolving the matter. Martin Azua's "Plaited fence" is a simple galvanized iron frame stitched together with vertical strings through which users can weave a medley of discarded shopping bags. The design assumes that we will continue to use the harmful plastic sacks, but offers a second life for them.
One of the great things about visiting trade fairs is witnessing the emergence of trends and threading together the seemingly random way in which creative people develop similar ideas. Like Stephen Burks' Cappellini Love tables that we reported on yesterday, Belgian designer Jens Praet's "One day paper waste" utilizes shredded paper (Elle magazines in the model pictured). In this case, the object is made by combining paper with resin and compressing it into an MDF (vacuum) mold. The design begins at the same starting point as Burks', though lacks a thorough research into sustainable binding agents and socially motivated production.
Another product that shares similar traits with a recent design is Rotterdam-based duo Minale-Maeda's "Touch Wood." Earlier this year, Front Design created a group of benches and easy chairs for the Swedish manufacturer Materia. The furniture played with users expectations, subverting the traditional use of beech in Scandinavian furniture by replacing it with a wood-patterned fabric. In a nearly identical way, "Touch Wood" undermines our experience of traditional objects (other items in the series include a chair, a table, a door and a chandelier) by covering the surface in upholstery and wood-grained silk. Minale-Maeda suggests that we can still use rarefied woods, so long as they're simulated.
Easily the most engaging part of the show was Tobias Rockenfeld's "Creatures," a grouping of robots and insects made from discarded toys combined with household refuse and other trash. Quirky, somewhat creepy in cases, and not something that will be put into regular production, they offer the hope that children can be stimulated by more than slick toys and video games. It certainly made me long for a respite from all the highly polished furniture exhibitions and sift through the trash. (See more Creatures images after the jump.)
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The most talked about exhibition during the Salone del Mobile was that by Maarten Baas. Set within the chaotic mess of a working auto garage in the Zona Tortona, the show covered works to date, along with a preview of new collections for Contrasts Gallery and Established & Sons Limited. The choice of space initially felt to me like a commentary on the hyper-produced...
Staged in an immaculate, white gabled space in the Navigli neighborhood in Milan, Studio Job recently previewed their latest monumental work in conjunction with the Eindhoven-based designhuis. The installation, called Farm, draws inspiration from traditional farming economies of the Dutch lowlands, and is composed of twenty-four cast bronze objects and six pieces of Palissander wood furniture. Continuing the leitmotif developed in last year's Homework...
While the Italians were rightfully celebrating their design legacy at the Triennale with an exhibition called "What is Italian Design?," I find it worth noting that once again, Dutch design was proving to be the most radical, poetic, soul-searching work at the Salone del Mobile. On the last day of the fair, I doubled back to the Zona Tortona to see “reCollections,” an exhibition...
For years, Royal Tichelaar Makkum, the Netherlands' longest extant company, has quietly mounted the most impressive displays of ceramic ware during the Milan Furniture Fair and this year is no exception. Two years ago, they released a hugely successful collection of biscuit ware with Studio Job; last year they launched a unique office collection with Dick van Hoff, which turned the ornamental into the...
With all the press and buyers swarming around Milan's Salone del Mobile, I was so happy to wander into a seemingly inauspicious exhibition called "Shapes of Japanese Style." The group show was tucked into the gallery's basement and, like many exhibits of its kind, felt a little thin. That was until my eyes landed on Hidebumi Yamaguchi's IMAnoWa collection. The concept, to encourage users...
Yesterday at the Fiera Milano, walking through the sprawling campus of the supergroup Poltrona Frau, I ran into the New York designer Stephen Burks, who took a moment to chat with me about his new line of eco-conscious ware for Italian manufacturer Cappellini. Called Cappellini Love, the collection is comprised of a series of vases and bowls made from glass fragments, and a small...
