Cool Hunting
Named "Beat" for their hand-beaten production method, Tom Dixon's series of lamps and vessels is quickly becoming an iconic part of his oeuvre. After years of working in relative obscurity, Dixon is now something like England's national poster child of design. From his massive light giveaways during London's design week to limited edition copper-clad chairs and private member's club interiors, the designer seems to know all the steps of the multidisciplinary dance. Last month, Dixon staked his claim on U.S. territory, opening his own branded space within the chaotic confines of ABC Carpet & Home in downtown Manhattan.
A bit further down the island, Moss is now featuring his expansive Beat collection. The collection got its start with the Beat Lights, a series of hand-hammered, patinated brass pendants inspired by typical water carrying receptacles found in India. Dixon has been wise not to just draw inspiration from the culture, but to employ its skilled artisans in manufacturing these designs. It's likely a savvy business move, but also an admirable way to help protect a dying craft. This year, a group of gargantuan Beat Vessels, in unpolished brass, was introduced. At once exotic and indicative of Dixon's vernacular, they represent design fusion at it's best.
|
previous entry Phil Frost |
next entry Katie Burley Hats |
Needless to say, brimmed hats are a popular accessory among the downtown set these days, so it's especially refreshing to see them used in a different way, like with these Jeeves and Wooster Lampshades. Aptly named after the British comedy series Jeeves and Wooster, the pendant lights are made in the UK and both varieties feature a black wool felt exterior and fire-rated polycarbonate...
Former entertainment lawyer-turned-lighting designer Michael McHale creates chandeliers that are as much about structure as they are shimmering crystal. Born from the seeds of a DIY project, Michael McHale Designs is drafting a new vision for the chandelier, utilizing such rough and ready materials as patinated brass pipes and fittings, refrigerator bulbs, and appliance tubing in concert with the finest crystal available. The effect...
The lights at 100% Design this year were big, beautiful, complex and dramatic. The overriding theme was the reinvention of the chandelier as a format to explore the interaction between form, texture and light on a large scale. Here are three of our favorites. Central St. Martins graduate Winnie Lui wowed the crowds with "White," her amazing chandelier of collected objects. Trained as a...
100% Design, the London design fest's main event, usually focuses on the slick and often boring end of the market, but this year these three lamps stood out from the crowd for their beautifully simple organic forms. Diffuse. Their minimal forms with beautiful textures and floral details (pictured above left and right) are elegantly understated additions to any room. FOC (or Freedom Of Creation)...
Free Bird is a handmade line of customized military boots applying recycling to fashion in a new way. Created by young New York-based designer, Stacey Howard, the boots were originally collected from military bases in the South. As Howard says, "It felt most natural to my aesthetic to use vintage native American garments and paint to refabricate the boots. Using a soldier's boot and...
Estudio Manus' porcelain goods are hitting MoMA's Design: Brazil collection, but with keen foresight, the São Paulo duo is already making emphatic forays into other objects and furniture under the guise of its newest collection called "Peixe." With similar irreverence as their other pieces, like a porcelain cup with ears, this time they're proving they also work well building environments and in the architectural...
