Cool Hunting
Named "Beat" for their hand-beaten production method, Tom Dixon's series of lamps and vessels is quickly becoming an iconic part of his oeuvre. After years of working in relative obscurity, Dixon is now something like England's national poster child of design. From his massive light giveaways during London's design week to limited edition copper-clad chairs and private member's club interiors, the designer seems to know all the steps of the multidisciplinary dance. Last month, Dixon staked his claim on U.S. territory, opening his own branded space within the chaotic confines of ABC Carpet & Home in downtown Manhattan.
A bit further down the island, Moss is now featuring his expansive Beat collection. The collection got its start with the Beat Lights, a series of hand-hammered, patinated brass pendants inspired by typical water carrying receptacles found in India. Dixon has been wise not to just draw inspiration from the culture, but to employ its skilled artisans in manufacturing these designs. It's likely a savvy business move, but also an admirable way to help protect a dying craft. This year, a group of gargantuan Beat Vessels, in unpolished brass, was introduced. At once exotic and indicative of Dixon's vernacular, they represent design fusion at it's best.
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Yesterday at the Fiera Milano, walking through the sprawling campus of the supergroup Poltrona Frau, I ran into the New York designer Stephen Burks, who took a moment to chat with me about his new line of eco-conscious ware for Italian manufacturer Cappellini. Called Cappellini Love, the collection is comprised of a series of vases and bowls made from glass fragments, and a small...
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