Cool Hunting
This weekend Ami and I got to check out You, Urs Fischer's installation at Gavin Brown's Enterprise. (Click images for detail.) The piece is an eight-foot deep crater measuring about 38x30 feet dug within the pristine white walls of the gallery.
According to New York Magazine the pit took a ten days to build and cost about $250,000 using a jackhammer to remove the concrete floor and a backhoe to excavate tons of debris.
Literally breaking down the traditional art show and gallery as commercial space, Fischer also references the rich history of land artists before him, including Walter de Maria's famous Earth Room which is housed just 10 blocks away.
After ducking through a small door, visitors find themselves walking over an uneven mix of dirt and concrete debris down a short hallway (pictured after the jump) to the large gallery.
Within the pit itself or teetering around the perimeter, we felt mischievously giddy, like teenagers hopping a fence. While joking about how the installation was "profound, edgy and gritty," we were impressed by the experience of scale, our dirty shoes and the rare glimpse under the layers of a New York gallery's aesthetic order.
Also on Cool Hunting: Urs Fischer at Cockatoo Island, Gelitin
You
Through 22 December 2007
Gavin Brown's Enterprise
620 Greenwich Street
New York, NY 10014 map
tel. +1 212 627 5258
Photos by Keren Richter
|
previous entry Guanni After the Fire Chocolates |
next entry Bijules Golden Serpent Nail Rings |
Massive and baroque, Petah Coyne's haunting sculptures belie their humble material origins. Using wax, hair, beads, ribbons, bows, and fake flowers, the New York-based artist's work conjures fairytale and myth. Some seem to tell more contemporary stories, like the towering white pleats of "Untitled #978 Gertrude and Juliana (The Whitney Women)," which. pictured after the jump, is featured in her current show "Above and...
With his high-concept mechanics, artist Jonathan Schipper's latest exhibition, "Irreversibility," is just as stunningly clever as the animatronic sculpture we watched him build a few years ago. Held at Brooklyn's Pierogi Gallery, the show is both a spectacle and showcase of recent sculptures and installations by Schipper, including "The Slow Inevitable Death of American Muscle," (pictured above) in which a live, head-on collision takes...
by Kelsey Keith Adam McEwen is irreverent, witty, and whip smart (like any British artist worth his salt) and "Switch and Bait," his latest show with veteran gallerist Nicole Klagsbrun, is no exception. The exhibition, which opened last week in an auxiliary space in New York's Chelsea district, was slyly promoted with a press release detailing the process of machined graphite. "Graphite's specific properties, such...
I'd never heard of Steven and Billy Blaise Dufala, two brothers producing art together under the moniker Dufala Brothers, until yesterday when Amy Adams, director of Fleisher/Ollman Gallery in Philadelphia, sent me a couple of jaw-dropping images of their recent work. Now I'm contemplating a day trip to Philly just to see their installation. "Long Runner" (below) and "Special Air Mission 28000" (right), are both...
by Ariston Anderson The petite Pratt graduate, Swoon, has quickly climbed through the ranks of street art, raising the bar by using art as politics. A mainstay at the likes of Deitch, MoMA and the Brooklyn Museum of Art, her latest project might be her biggest yet. With the backing of Deitch, Swoon recently launched "Swimming Cities of Switchback Sea," a two-part exhibit merging...
Artists Richard Selesnick and Nicholas Kahn have been collaborating to produce multi-layered exhibitions for the past 20 years, and their most recent project Eisbergfreistadt ("iceberg free state") is currently on view at Yancey Richardson Gallery in New York. Eisbergfreistadt is an exhibition of photographs, paintings and objects that chronicle the developments of an imaginary utopian state during a period of economic and ecologic disaster....

