Cool Hunting

Slow Dancing by Wendy Dembo

slowdancing.jpg

Last Thursday David Michalek's " Slow Dancing," an outdoor installation of 40-foot video screens featuring 43 dancers, premiered at the Lincoln Center in New York. Running nightly from 9pm-1am until 29 July 2007, projected images of dancers— including Karole Armitage, Trisha Brown, William Forsythe, Eiko, Judith Jamison, Bill T. Jones, Allegra Kent, Bill Shannon, Elizabeth Streb and many others—appear on three 40-foot scrims stretched across the facade of the New York State Theater.

From ballet to break dancing to Balinese dance, as well as ballet and modern dance, a really interesting mixture of genres come together in the piece. Michalek brings them to life using a camera that shoots 1000 frames per second. He asked all the dancers to prepare three five-second phrases to try in front of camera and said that everyone came well-prepared. When played back in real time, the five-second movements equal about eight minutes, allowing the viewer to see every minute detail and move. Like Marey and Muybridge, Michalek belongs on the list of photographers studying the human form in movement. (See more info on his technical process here.)

What I found to be amazing was the control and balance of the dancers. I was watching the clip of Wendy Whelan, a prima ballerina at the New York City Ballet and married to Michalek. In the slow motion you could plainly see how her legs were moving, but the rest of her body was completely still. Her arms stayed at the exact same level for her entire leap. It was magical. I asked Whelan what she liked about the project and she said, that she “loved watching the seed of a dream turn into reality after three years. It is an extraordinary gift to the people.”

Photo courtesy of Jason Wishnow

Slow Dancing
12 July-29 July 2007
Lincoln Center
70 Lincoln Center Plaza
New York, NY 10023 map
tel. +1 212 875 5000

Tools
Print
Email
Save / Bookmark
fShare Share
Permanent link
Sphere It
This entry posted on 16 July 2007 at 5:30 PM
Related Entries
Advertisement
Cool Hunting Video Presents: See It Split, See It Change
by Brian Rigney Hubbard In this Capsule Video, we visit NYC's latest subway installation by the artist-twins Doug and Mike Starn. The duo explains the rhizomatic tree-subway connection of the site-specific work and the process of printing their imagery onto the tiles....
Christian Jankowski: Living Sculptures
Part of the Public Art Fund's current programming, Christian Jankowski's Living Sculptures, on view in the Doris Freedman Plaza in Central Park through April 2009, is a must see for New Yorkers and visitors alike. Essentially statues of people presenting themselves as statues, the triptych pays homage to the nameless performers who enliven most every metropolis through this humble art. Pay close attention to these...
The New South Ferry Terminal: See It Split, See It Change
by Oliver Schwaner-Albright Sometime by the end of the month the public will get its first view of See It Split, See It Change. A 250 foot-long curved wall of fused glass panels and mosaics by Doug and Mike Starn, it snakes along the new South Ferry subway station. It’s a stunner, and an unusually engaging piece for a city that already takes public art...
Banksy's Village Pet Store and Charcoal Grill Video
For something as bizarrely inventive as Banksy's current installation of animatronic food, we couldn't conceive of a better video than this one that Notcot commissioned from CH pal Seth Brau. The piece is a montage of the various vignettes—hot dogs in love, chicken nuggets sipping water—cut to a twangy country soundtrack which was inspired by the music that's actually playing at the gallery. Seth's...
Recent Cool Hunting Videosview all Cool Hunting Videos
Advertisement
Advertisement
Recent Entries

J. Howells Werthman: We Are Making Plans


PhoneSuit MiLi Pro Video Projector


iPhone HP Calculators


Society6


Bedol Eco-Friendly Water Drop Clock


Context x Kicking Mule 1980 Hand Dye Jeans


Liquid Image Camera Goggles


Interview with Erik Madigan Heck of Nomenus Quarterly


Photographer Julia Fullerton-Batten