Cool Hunting
Kelli Connell’s first solo show in New York opens tonight at Yossi Milo Gallery. The show, called "Double Life," appears to document an evolving relationship between two women. However, the photographs are actually completely staged and constructed. While digitally creating the photographs, Connell used the same model to portray both women and then composited multiple negatives into one picture.
The result is a series of intimate scenes from relationships that Connell either experienced or witnessed. Because one woman enacts multiple roles within the same relationship, Connell’s photographs hope to make the viewer question sexuality and gender, and also try to reveal something about our personal notions of identity and social constructs. Double Life is about the duality of self—the interior and exterior, the masculine and feminine, the rational and irrational.
Her work was recently published by Aperture in collaboration with the Museum of Contemporary Photography as part of a beautiful three-volume set (previously featured on Cool Hunting) called MP3: Midwest Photographers Publication Project.
Kelli Connell: Double Life
Opening Reception: 19 April 2007, 6-8pm
19 April-2 June 2007
525 West 25th Street
New York, NY 10001 map
tel. +1 212 414 0370
|
previous entry Hotdoll |
next entry The Roasting Plant |
Stacey Steers' animated film "Phantom Canyon" was created from over four thousand handmade collages incorporating the images from Eadweard Muybridge's famous series of photographs from 1887 called "Human and Animal Locomotion." In this film, which is intended to mirror how we all find meaning in our experiences, a curious woman goes on a surrealistic journey with an alluring bat-winged man. The process used to...
For a photographer whose work is full of the best kind of contradictions—fiction and fact, banality and exoticism, sexuality and domesticity—the title "Filthy Gorgeous" is apt for John Arsenault's upcoming solo show. A series of self portraits, the work is unabashedly self-focused showing a range of emotions, scenarios and levels of undress. A playful kind of humor runs throughout, almost as if Arsenault's sharing...
Dubbed "visual poetry" by Stephen Shore, New York-based photographer Lisa Kereszi is known for her prints of ordinary places in lush, deeply saturated colors. In her current show, Kereszi's subjects are spaces—strip joints, fortune telling parlors, theaters—that aspire to transcend the everyday. Earlier this week, CH contributor Jonah Samson chatted with the artist about her interests, style and background. For the full interview, go...
Beautiful, quirky, powerful and fun, Nancy Burson’s work is about shifting vision and challenging the way that people look at art. Her human race machine allows people to morph into people of other ethnicities and one powerful series of her photos takes people with cranial facial disorders as its subject. More recently, working with healers, Nancy has been photographing energy from other dimensions—whether it...
Featuring work by artists who are "altering materials and repurposing objects that prompt viewers to investigate the act of looking and perceiving," the unifying theme behind the impending group exhibition "Deviate" may be a little broad but it makes for a show that speaks to CH's penchant for the obsessively subversive. The nine artists represented take a largely conceptual approach using a diverse collection...
by Ariston AndersonThe beauty of a Ryan McGinness show is not only that passing through the gallery doors is entering into the world of McGinness, but that each painting fully consumes your attention once you start looking. Like their name implies, each multi-layered screenprinted work from the Black Hole series has the remarkable ability to suck viewers in. Similar to a Jackson Pollack or a...
J. Howells Werthman: We Are Making Plans
PhoneSuit MiLi Pro Video Projector
iPhone HP Calculators
Society6
Bedol Eco-Friendly Water Drop Clock
Context x Kicking Mule 1980 Hand Dye Jeans
Liquid Image Camera Goggles
Interview with Erik Madigan Heck of Nomenus Quarterly
Photographer Julia Fullerton-Batten
