Cool Hunting
Carol Chung reports on Ghetto Fab: The Photo-Graf Collection
Public urban art!!… scaled down for your viewing pleasure.
Last Thursday was the opening night of the month long Ghetto Fab: Photo-Graffiti exhibition. As the title implies, it contains photographs of graffiti mural art from the boroughs of New York City. The photographer, Jonathan Singer, is hailed as “The Ansel Adams of Graffiti Photography.” There are 45 limited edition prints on display (and for purchase.) It’s nice to see that each print credits the artist who created the work. It’s a pretty nice collection of work. Some of it you may have seen before as you’ve wandered the streets of New York. While others may not seem so familiar to the Manhattanites who don’t venture much into the boroughs except for Williamsburg.
However, the whole concept of owning a single print of piece of work that was created in a public space kind of ruffles my feathers. It’s not like I don’t think the exhibition isn’t worth checking out. It’s rather neat to see so many different pieces in one space albeit the grandeur is somewhat lacking when compared to the work’s actual scale. It’s just that the idea of art that was created for the general public can be commoditized and held in a private space. It’s like “Hey, own your own piece of the hood! You can hang it up in your loft in Williamsburg right by the window that overlooks the JMZ!” Although I strongly feel that this sort of artwork should be documented, there’s just something about the idea of buying individual pieces that undermines the context in which that work was created.
|
previous entry Barking Irons |
next entry Julian Lwin |
The new project from Roger Gastman, Caleb Neelon and Anthony Smyrski, Street World: Urban Art and Culture from Five Continents, clocks in at nearly 400 pages of full-color images of all the street culture we knew we loved (graffiti, fashion, skateboarding, and so on) with plenty of more esoteric global happenings. Think pigeon keeping, protests, activism, drum lines, urban exploration, signage and plenty of...
If you've ever noticed a pair of wood sneakers dangling from power lines, you've likely witnessed the work of New Jersey-born identical twins Ad and Droo, aka Skewville. The fake sneaker installations (they call the project and their website When Dogs Fly) dates back to '99, but for over a decade the New York artists have been leaving sneaker footprints on walls, installing their...
Loosely curated around the mainstreaming of street art, The Everywhere Show, opening this Saturday at Mendenhall Sobieski in Pasadena, includes work by Marcel Dzama, Gary Baseman, Friends With You, and Dalek. While the premise seems to have its arms stretched a little too widely - the website makes the broad claim that the works "find small human truths" and a write-up by critic Peter...
I first became an ESPO (aka Steve Powers) fan a few years back when he roller-brushed over graffiti with his own tag during an undercover stint with LA's graffitti removal team. His next-level street art and candyland aesthetic (check out the bakery he staged at Deitch's Armory booth earlier this year) came together perfectly with his Dreamland Artist Club 2004. This year's version of...
Since bursting onto the scene eight years ago as one of the hottest young photographers in town, Ryan McGinley continues to produce enduring images that focus on the energy and enthusiasm of youth. In his latest show entitled "I Know Where the Summer Goes" (a title taken from an early B-side by Belle and Sebastian), McGinley continues to move from his original casual snapshot-style...
Melbourne may well be miles from most of the world's cultural epicenters, but when it comes to appreciation of quality photographic art, Melbournians know their stuff. Perhaps that's why Lumas Editions decided to expand their global galleries by opening a Melbourne tangent just over a month ago. Located in the hip Little Collins Street precinct, Melbourne's Lumas Gallery continues the company's global reputation for...
